Fantastic Fest 2016 was, as always, a great party. I ate too much fried food, was movie critic Leonard Maltin’s personal driver for a couple of days, and had an argument at the bar with a drunk Irish guy who hates Hillary Clinton.
I saw 14 movies, including what is now my second favorite kaiju movie of all time. Fantastic!
Below is a quick synopsis of the films I saw, and why you should or should not waste a piece of your short time on Earth watching them. The movie titles link to either their IMDB entry, or a trailer.
I’ll also post updates in the future on how to see anything I recommend, as that information becomes available.
This is my second favorite kaiju film that I have ever seen, topped only by Love & Peace. A brilliant analogy of substance abuse and the struggle to get your life together, Colossal tells an amazing story of moving back to home, trying to dry out, and finding out that your Kaiju doppelgänger is destroying a city thousands of miles away. Directed by Nacho Vigolando, and starring Anne Hathaway. My favorite film of Fantastic Fest 2016.
I loved this slice of occult psychological horror. A Dark Song is a study in building tension and dragging the audience kicking and screaming into the story. Nerds of the occult will appreciate the degree to which writer/director Liam Gavin did his homework.
You need to see this movie, especially if you’re a vegetarian or former vegetarian who made that secret pact about how cannibalism doesn’t count as cheating. Impossible to discuss without spoiling the whole thing.
The Handmaiden is the latest offering from Park Chan-Wook, the genius South Korean director who gave us Snow Piercer, Lady Vengeance, Old Boy, and so much more.
The Handmaiden is a most beautiful film about revenge, double crossing assholes, and giving the finger to the patriarchy. There is also lots of really hot lesbian sex.
First of all, we are organizing a watch party to spread the word about Bad Black and the mind blowing phenomenon that is Wakaliwood. I’m giving this one a full write up later this week, but in short:
Wakaliwood is the growing film industry in Uganda. Their films are ridiculous, wonderful, and full of subversive political subtleties under the rule of an oppressive regime.
Bad Black is a revenge story about life in Wakaliga, the ghetto on the outskirts of Uganda’s capital, Kampala. It’s hilarious, self aware, and a well-executed story of seeking justice. So much fun.
Here’s a link to an 8 minute video that is basically the prologue to Bad Black.
Do you like Christmas horror movies? You need to watch Safe Neighborhood. If you have ever thought about the minor changes in story that would have turned the Home Alone movies into an awesome slasher flick, you need to watch Safe Neighborhood. One of the best films at the festival.
This is a documentary about Stanley Kubrick, and it made me cry. S is for Stanley is an interview with Kubrick’s personal assistant, Emilio D’Alessandro, who was at Stanley’s side for 30 years. I feel very lucky to have seen this film, as it was done completely under the radar without the Kubrick estate’s consent, and there is a lot of uncertainty about whether or not it will be distributed. It’s very respectful of Kubrick.
Call of Heroes is basically a spaghetti Western set in China. It’s a super fun film, and I hope it gets a US distribution.
If you have NOT read the delightful novel this film was inspired by, it’s a fun film that zombie movie fans will get a real kick out of. It’s a different spin on the genre.
If you have read the New YorkTimes bestselling novel The Girl With All the Gifts, just picture a frustrated ginger shaking her head, too upset to speak. I’ll write a proper analysis of this interpretation of the original story in the near future.
Don’t Kill It is so much fun. To blatantly steal a friend’s description, Don’t Kill It is It Follows, but with guns instead of sex. It’s one of those over the top cheesy offerings that knows exactly what it is, and has a great time being that.
Dolph Lundgren stars as the demon-hunting drifter who struggles to save a small Mississippi town that refuses to heed his warnings until it’s too late.
This is a movie you should put a party of friends together for, and maybe have a drinking game around every time the host gets killed.
Terry Teo is a young adult TV show in New Zealand, and it’s just great. A crime fighting, skate boarding teenager who turned away from a dark path. Well written, high quality production, and well developed characters. I’m going to dig up how someone in North America could see it, it’s really good.
Werner Herzog supposedly wrote Salt and Fire in three days, and it is a weird journey. Imagine if Jodorowski’s Holy Mountain was funny, and you couldn’t tell if it was on purpose. Michael Shannon (General Zod) spends most of the movie delivering quotes from philosophical texts in a smooth, hypnotic tone that left me confused that he’s the CEO of a super-evil corporation, and not actually a cult leader. It also made me giggle.
Salt and Fire is the sort of film you can chew on for a very long time. I left the theater unsure of how I felt, but after talking with some friends who had also seen it, we realized it was full of one liners and inside jokes that could only be shared with someone who has seen it. Under some definitions, I actually have been initiated into a cult, probably led by Michael Shannon’s voice.
Gather your smartest friends, and ply them with alcohol or other substances of choice before watching.
The Autopsy of Jane Doe is a fun ride with plenty of good jump scares, but don’t think too much about it. If you start asking questions about the plot, it sort of collapses like a black hole.
I had high hopes for this film, as it’s from André Øvredal, the director of Troll Hunter (one of my favorite modern monster movies), but the script obviously had issues from the start. The scenes are all good individually, they just don’t quite make a cohesive story.
We Are The Flesh is a super-fucked up Mexican art film that features black magic and lots and lots of gratuitous incest. It is on some levels kind of brilliant, and I might have appreciated it better if I was more fluent in Spanish. The director stated during the Q&A that the subtitles are “shit,” and that he didn’t review them at all. I may write a longer piece about this film in the near future.
We Are The Flesh is basically the story of a post-apocalyptic Mexico City, and an old sorcerer/witch who adopts a young brother and sister who show up in his hiding place. He turns them into his apprentices, teaches them black magic, and it gets pretty fucked up pretty quick. The incest is really a repetitive item on a list of Western taboos that are broken throughout all the disturbing black magic rights.